Modernist salon culture: the contributions of the Stettheimer sisters in 1920s New York
thesisposted on 23.05.2021, 16:47 by Stephanie Yumansky
During the 1920s, the Stettheimer sisters Ettie, Florine and Carrie opened the doors of their home in tlie Alwyn Court on West 58th Street, New York, to numerous guests, celebrities, poets and artists including Marcel Duchamp, Francis Picabia, Gaston Lachaise, Elie Nadelm~; and Paul Thevenaz, dancer Adolph Bolm, playwright Avery Hopwood, writer Sherwood Anderson, as well as critics Carl Van Vechten, Henry McBride and Paul Rosenfeld. Rivaling the era's famous salons of Gertrude Stein and Nathalie Barney in Paris, collectively the sisters created a literary and artistic salon in which art making flourished. The distinctly feminine decor served as a backdrop for Florine's paintings on display in the salon; Ettie would describe the vibrant salon culture in her autobiographical and fictional writings; and Carrie's role as sartorial experimenter would be inscribed in the sisters' paintings and writings.