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Plastic makes perfect : The Stepford Wives and the changing politics of the female body

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thesis
posted on 23.05.2021, 11:10 by Kathryn Schweishelm
This thesis investigates changes in the popular understanding of feminism within mass-mediated public discourse between the 1960s and 1970s and today, specifically in relation to feminine modes of embodiment. Through an analysis of a representative popular media text of the second wave -- the 1975 film The Stepford Wives -- this project establishes how the female body was conceptualized philosophically and ideologically by the radical feminists of this era. This is then compared to an analysis of the film's recent remake and several other contemporary media texts in order to illustrate how today's popular discourse of "postfeminism" presents a contradictory conception of feminism and its relationship to the body. Finally, this thesis suggests that postfeminist discourse is problematic for its erasure of structural gender inequality and argues that the preservation of a consciousness of sociohistorical context is vital to the perpetuation of a well-grounded feminist cultural critique.

History

Language

eng

Degree

Master of Arts

Program

Communication and Culture

Granting Institution

Ryerson University

LAC Thesis Type

Thesis

Thesis Advisor

Jean Bruce