The aesthetics of participation.
thesisposted on 22.05.2021, 16:16 by Tyler Tekatch
"In this paper I would like to articulate a mode of perceptual participation, primarily an aesthetic mode, whereby humans enter into relation with the natural world around them. In order to elaborate on the mode of this participation I will draw examples from artists and thinkers that I believe have determined to make the notion of 'participation' an integral part of their work. The purpose of this paper is to situate my project in a larger tradition and theoretical framework. Over the last two years of study I have been drawn to a number of artists and thinkers who have influenced me a great deal. The common feature among them, or the relevant feature to me, has been the theme of the interaction between the self and the world, the organism and the environment, to use John Dewey's terminology, and how this interaction speaks of humanity's carnal and perceptual inherence in the world. Among these artists are Charles Olson, Jack Chambers and Stan Brakhage, and I would like to discuss their work in relation to this interactive process of self and world."--Pages 2-3.