Toronto Metropolitan University
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A West Australian who makes his permanent home in Toronto, Toby Malone (he/him/his) has worked as an actor, dramaturg, academic, and playwright, before moving into Library and Information Sciences. He holds a PhD in Shakespearean textual analysis and dramaturgy from the University of Toronto and a BA (Hons) in English from the University of Western Australia. He has published articles in Shakespeare Survey, Literature/Film Quarterly, Canadian Theatre Review, Borrowers and Lenders, appears in published collections with Routledge, Cambridge, and Oxford, and has co-authored books on "Cutting Plays for Performance" with Routledge and on "War Horse" with Palgrave Macmillan. He is currently an MLIS Candidate at the Western University Faculty of Information and Media Studies (expected completion: August 2023) and Contract Open Access Coordinator at Toronto Metropolitan University Libraries.

Publications

  • Quoting Shakespeare in Twentieth-Century Film
  • Staging Shakespeare in Social Games: Towards a Theory of Theatrical Game Design
  • Adapting War Horse: Cognition, the Spectator, and a Sense of Play
  • 'Hast Thou Been Tampering?': Dramaturgical Adaptation and 'Richard III'
  • 'Distract Parcels in Combined Sums': The Stratford Festival Archives' Stage-Managerial Collections
  • 'A Dog, a Rat, … a Cat to Scratch a Man to Death': Olivier's Richard III and Popular Cultures
  • Behind the Red Curtain of Verona Beach: Baz Luhrmann's William Shakespeare's Romeo + Juliet
  • Tagging Time and Space: TEI and the Canadian Stratford Festival Promptbooks
  • Cutting Plays for Performance
  • A digital parallel-text approach to performance historiography
  • Digital Shakespeare
  • Farah Karim-Cooper and Tiffany Stern, eds. Shakespeare’s Theatre and the Effects of Performance. London: Bloomsbury Arden Shakespeare, 2012. xix + 296 pp. $85. ISBN: 978-1-40814-692-7.
  • Parallel-Text Analysis and Practical Dramaturgies
  • Using Theatrical Prompt-Books for Cultural Insight
  • Cutting Plays for Performance: A Practical and Accessible Guide
  • Parallel-text analysis and practical dramaturgies
  • "The True Tragedy of Richard the Third," by Anonymous
  • Cutting and Adapting Text for the Virtual Performing Landscape
  • What is a Prompt Book?
  • Behind the Red Curtain of Verona Beach: Baz Luhrmann’s William Shakespeare’s Romeo + Juliet
  • Behind the Red Curtain of Verona Beach: Baz Luhrmann’s William Shakespeare’s Romeo + Juliet
  • Adapting War Horse : Cognition, the Spectator, and a Sense of Play
  • Adapting War Horse : Cognition, the Spectator, and a Sense of Play
  • “Distract parcels in combined sums”: The Stratford Festival Archives' Stage-Managerial Collections
  • “Distract parcels in combined sums”: The Stratford Festival Archives' Stage-Managerial Collections
  • 'Hast Thou Been Tampering?' Adaptive Dramaturgy and Richard III
  • 'Hast Thou Been Tampering?' Adaptive Dramaturgy and Richard III
  • Polychronic Actants: Modern Promptbooks as Anticipated Acts, Unanticipated Acts, and Ideal Assemblages
  • Polychronic Actants: Modern Promptbooks as Anticipated Acts, Unanticipated Acts, and Ideal Assemblages

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